Friday saw me experience development in the way I live. For years I have believed in Utter:
Utter
All awareness is accepted in these halls of thought
Grand tradition stands sure and fortifies the door
Whilst youthful lusts endeavour a roomy infinite within
But outside these walls
Lies Utter
And all windows hope for a glimpse of hell.
The only feedback I got from this at university was 'Utter is an adjective'. That was the idea.
An explanation
Utter
The title itself becomes a noun, a thing. Utter what? A Totalitarian statement? Human belief and society? Or a mere utterance from a mind or being that could be dust by the time you read this?
All awareness is accepted in these halls of thought.
The rolling iambs in the last syllables of this line give praise to the halls of the thought, a memory palace. Yet all awareness is the sensory world too, and the fear and terror of human nature. The poor student's life of survival is not grand indeed.
Grand tradition stands sure and fortifies the door
In the midst of the furious sensory world, the door of the vulnerable mind must remain closed. The outside world makes the man in the hall fearful (the consciousness) because the sensory manifestations of that world can be overwhelming.
Whilst youthful lusts endeavour a roomy infinite within
In response to sitting within those mind halls so much and so long, young and feckless passions are crafted to create a sense of something beyond those physical limits. Yet whatever infinity is created is finite, contained within wood and stone.
But outside these walls
The sense of a switch in the poem is now palpable. The walls are surrounded, like mist.
Lies Utter
The lies is the positioning and the passivity of the being outside, the environment... yet the perception of the environment seems so different as to almost be a 'lie'. So is the lie thanks to the grand tradition? A useful lie? But useful to whom?
And all windows hope for a glimpse of hell.
Here is the crux. As I wrote this poem, my fear of the outside world was that there is no way of understanding it. I would rather hope for hell and cynicism than experiencing something beyond my comprehension.
So where might be now?
With Joanna's help, the child left the house. The mist roused itself into a bloodthirster, a flaming demon with impossibly knotted muscles that strained with furious hate. The child saw the demon with guileless truth, a construct, a thing of beauty with its physical prowess and intensity of passion. Outside the door, the man followed the child, leaving that finite hall, stepping into Utter.
The guilelessness of the child was disarming. The demon could not respond, or perhaps just did not respond. And then the child could experience the world outside the halls of thought, where people lived. And other people were travelling.
So I can travel outside the halls of thought, to see the demons in the mist. Yesterday as I was walking without Joanna, the bloodthirster emerged again. It swang without hesitation its giant axe to crush the boy. As the blade smashed into the found, the boy disappearing in a painless cloud of ether. He was gone for a discernible instant.
In an instant heartbeat of time, he appeared again, and spoke with the wisdom of the everchild: I am not one person. You cannot kill me. Or rather, the kind of killing we know in the hall does happen, but I do not end or finish in the way you imagine.
And with this the demon slunk away, its purpose enacted, and the open world of imagination stretching ahead.
So what does this mean for my imagination?
The halls have two doors. One door, mighty indeed, sees me moving out the front where things beyond my comprehension reside. Other halls of thought might be found whilst travellers can be. Grand tradition does not stand guard as much as technology and distraction. This door was at last firmly opened on Friday as I discovered the disarming power of the everchild. The everchild could open the door because he does not recognise the authority of grand tradition. The journeys that can be lived excite me.
Not every journey will be out that front door. An interesting and empowering door lays to the back of the hall. Never locked, this will open to the living memory of my choice, a perpetual mass of beings brought into action by past action and powers beyond comprehension. Here my imaginative memories can be discovered and relived in the structure of various buildings that I once knew.
Is there more than one door? Does each door open to a different place where my memories exist: be it my belly, my chest, my legs etc? That physical existence in my present body is different to their imaginative existence.
Can I begin to revist these past memories as both the everchild and the man? The everchild is that guileless and curious being who pursues with boundless joy the sensory experiences possible in my palace.
Let us see where this take us this week.